I have never been
particularly interested in writers. I have had the privilege of
meeting quite a few great writers, but it was exciting because they
were interesting people, not because they were writers. I seldom
visit writers' homes and museums, and when I do, I never feel
anything special, never a sense of awe, of seeing the actual desk,
the actual pen or inkwell. The only really weird feeling I had was in
Thomas Mann's house in Nida, where I truly sensed the
writer's presence, just for a moment.
But every now and then a
writer's home can offer something amusing, such as Dickens' works in
his museum in London, from which he had public readings and that have
notes in the margins: “Raise voice” or “Significant pause”.
Last week I was on a
holiday in Kent, and my friend Morag had told me that one of the
numerous churches in Romney Marsh had E. Nesbit's grave. Now, I do
have a very special relationship with Nesbit, or rather with her
books, but I had never bothered to find out about where she lived and
died. Yet the goal of finding a grave is more enticing than simply
visiting a number of very similar – unless you are an expert –
churches. But there was nothing about Nesbit's grave on my
guidebooks. The Lonely Planet England guide was conspicuously brief
on Kent; the authors must have had unpleasant experiences. None of
the many local guidebooks and folders in the cottage we were renting
showed any recognition of one of the greatest British children's
writers. I gave up, because combing through twelve churchyards is not
my idea of a relaxing holiday.
We were driving along the
coast, actually looking for a reasonable road to take us home to the
cottage when I saw a sign to Romney Marsh Visitors' Centre. I like
such institutions, absurd as they are with their guidebooks, maps,
ceramic birds, cheap binoculars and bad coffee. The coffee was
exceptionally bad, and the brochures hardly promising, but I have a
habit of picking up any readable materials, so I picked up one about
the churches, and then – wow! “The grave of E.Nesbit, the author
of The Railway Children”. The Railway Children is not
my favourite; frankly, I have never understood why it is considered a
masterpiece, but never mind. St Mary's in the Marsh was just a few
miles away by a horrifyingly winding road, and there was no parking
except at the nearby pub that I had no intention to visit.
I don't know what I had
expected, but probably a conventional grave. I should have known that
Nesbit's grave would be unconventional. I have repeatedly told a
story about Nesbit, the origin of which I don't remember, so it may
not be accurate and in fact may be about someone else. The story
goes: two ladies are exchanging gossip, and one says: “Have you
heard that E. Nesbit has died?” “Has she really? So unlike her”.
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