Everybody in Sweden today shares their memories of Olof Palme, the Swedish Prime Minister who was assassinated thirty years ago. A bit similar to J F Kennedy: everybody - old enough - remembers what they did. I am old enough. But that's another story.
On the day following the assassination, Staffan and I were going to a city in Sweden where a play he had translated was opening. I was still in bed when Staffan stormed in, screaming: "I am not going to any f*ing opening night!" My reaction was that the author had said something stupid or the theater had misspelled Staffan's name on the poster or something mundane like that. Instead, he threw the morning paper at me, with Palme on the front page.
The opening night was of course postponed, and Staffan and I, together with the rest of Sweden, spent the following days in front of television.
Inescapably, I remembered my only encounter with Palme, which I will share now. A couple of years earlier, there was another opening night (now you will get the impression that we didn't do anything other that attend opening nights, which is very true since Staffan was much involved with theatre in those days). It was a musical which Staffan co-authored and which featured a very famous actress in the main role. It so happened that she had participated in Palme's election campaign, and therefore he was a guest of honour at the performance and the following party. I happened to sit next to him at the party, and when he realised I was Russian, he looked at me, took a deep breath and started reciting one of the best-known Russian poems by Alexander Pushkin:
Буря мглою небо кроет,
Вихри снежные крутя...
There he stopped, and I picked up without thinking and finished the whole poem, which ends by a proposal to have a drink, which we did.
Staffan thought it was hilarious when I told him. Not that the Swedish Prime Minister could recite the first two lines of Russian poem, which he had likely learned as a child from his Russian nanny, but that I could immediately pick up and continue. I didn't find it remarkable at all. Every educated person in Russia can recite poetry for hours.
A displaced hedgehog is a figure - or rather an image - from Tove Jansson's Moomin books. This is how I can best describe myself. This blog is mostly about being displaced.
Sunday, 28 February 2016
When I met Olof Palme
Labels:
Olof Palme,
poetry,
politics,
Russian,
Sweden
Monday, 15 February 2016
How to recycle a hero
This is a column I wrote for a Swedish daily in February 2007, when the world lived in anticipation of the final volume of the Harry Potter saga. I feel it still holds true, so here it is for your amusement.
There are speculations
about whether J K Rowling intends to kill Harry Potter off in the
final book of the formidable series. The author seems to have said
that it is appropriate to let the protagonist die so that nobody can
pinch him and write a sequel.
As if it has ever stopped literary thieves.
For a start, a couple of books
about Harry's life before he learns
that he is a
powerful wizard. Nice books about everyday adventures with the
abominable cousin. They will probably be less exciting than Harry's
breath-taking escapades at
Hogwarts, but it's child's play for a good writer, and
the fans would love to know more about
their darling. If Scarlett's
Childhood can satisfy Gone
with the Wind fans, why not Harry
Potter's Childhood?
A set of at least five volumes can be devoted to
Harry's parents, including
his dad's pranks mentioned in passing throughout the series. Details
about his friendship and rivalry with Harry's teachers will doubtless
be welcomed by many readers. It might be permissible to add some
erotic flavour that Harry is spared.
Hermione, Ron, Ginny and the Weasley twins will
all get a series of their own. Unfortunately, Mergione's
Private Mission and Sen
Awesley's Twelve Deeds have already
been published by two quick-minded Russian writers, but otherwise the
sky is the limit. Moreover, Hermione has a time-turner which allows
her to be in two places at the same time, to attend twice as many
classes. If she lets Harry borrow the time-turner, all his seven
years at Hogwarts can be repeated, in a parallel dimension.
Harry Potter's
Cook Book and
Harry Potter's
Feng Shui are guaranteed bestsellers. Huge
success can also be predicted for The
True Confessions of Harry Potter and
The Absolutely True Diary of a Part-Time Harry
Potter.
If Harry necessarily
must die in the end of the final book, there is always hope that he
would do it with Hermione just before he dies, and then Harry Jr, or
possibly Harriet, can take over. There is of course something Da
Vinci Code over
it, but it is surely within fair use. This plot
can be stretched for at least twelve volumes.
However, it would be much nicer is Harry lives,
becomes Head of Hogwarts, introduces a democratic student union and
initiates international collaboration with other wizard schools in a
true Bologna spirit.
It may be hard to do all this before the interest
fades, but there are many examples of large teams of ghost writers
who will easily produce three-four books a month. Although they should
preferably be well educated and well read in myths as well as world
literature to maintain the level of Rowling's witty allusions. A
couple of unemployed professors of English literature may run
workshops.
But if Harry really dies in the end of the final
volume, don't mourn him too long, dear friends all over the world.
There are many stories in which the hero dies
and is
resurrected, from The New Testament
to Sherlock Holmes.
PS.
All ideas in this column are copyright protected and available for
best bid. Nothing under six-digit will not be considered.
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